Edition 93

Into the Archive

  • Published 4th August, 2026
  • ISBN: 978-1-923213-22-7
  • Extent: 196pp
  • Paperback, eBook, PDF

The archive has long been a form of collection, preservation and communication. As the internet and social media reshape what, why and how we record information, whether for personal or institutional means, the nature of the archive itself is also in flux. How does the archive mediate the relationship between public and private space? How to archives shape individual and collective memory? Should the archiveist preserve without intervention? What will the archives of the future look like? And in what ways do other mediums – bodies, places, cultures – act as their own kinds of archive?

This edition of Griffith Review goes on the record to reveal the spoils and surprises of the archive.

Cover image: Joan Ross, M’lady’s Ikebana room (2014), hand-painted pigment print on cotton rag paper, 91×71 cm

In this Edition


The shape of memory

I sit by the river searching for someone our national memory keepers sought to erase: my great-grandfather. Bundjalung man William Olive served across the Western Front in World War I. Aside from his digitised war record, the archives I have sought are almost silent. He enlisted when the Defence Act outlawed Aboriginal service. He suffered through two brutal offensives: the Somme and the Ypres Salient. He was wounded near Pozières in 1916, not far from this river in Amiens. William and I are separated by time and silence. But silence is a powerful act of agency. It can be revolutionary to hold your tongue, to refuse the container of words. Maybe a river can speak, but what if it, too, chooses silence?

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