Kate Pullinger

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Kate Pullinger is a Canadian writer who has been based in the UK since 1982. She has published eight novels, two collections of short stories and several digital-only works, including the smartphone ghost story Breathe. Her novel The Mistress of Nothing won the Governor General’s Award for English-language Fiction in Canada in 2009, and in 2021 she won the Marjorie C Luesebrink Career Achievement Award, given every year by the Electronic Literature Organization. She is Professor of Creative Writing and Digital Media at Bath Spa University.

Articles

No secret passageway

Non-fictionIn 2001 I read an article in The Guardian newspaper about a man who fell from the sky, landing in a superstore car park not far from where I live in London. The article, by journalists Esther Addley and Rory McCarthy, detailed how the Metropolitan Police discovered the dead man’s identity through a combination of luck, Interpol and British-Pakistani community workers. Muhammad Ayaz had managed to slip through security at Bahrain airport, run across the tarmac and, according to witnesses on the plane, disappear beneath the wing of the British Airways Boeing 777. The article quotes a spokesman from the International Air Transport Association: a myth circulates that there is a ‘secret hatch from the wheel bay into the cargo bay, and then into the passenger cabin, as if it were a castle with a dungeon and a series of secret passageways’. No such passageway exists and Muhammad would have found himself trapped in the wheel bay with no oxygen, no heating and no air pressure as well as no way out. If he wasn’t crushed or burned by the retracting wheels, he may have frozen to death once the flight reached 30,000 feet, finally falling out hours later when the plane lowered its landing gear as it prepared to touch down at Heathrow.

Dying of exposure

Non-fictionPublishing is a weird industry, a retail supply service where every day hundreds – thousands – of brand-new, untested products are launched, each one a little bit different to the last. The long-haul career trajectory of most writers is increasingly difficult to maintain with incomes nosediving, as evidenced by multiple surveys. The road is cluttered with novelists brought down by ‘bad track’, their new books rejected because of the poor sales of previous titles. But as readers we still need help to discover good books, to figure out what to read next. As book pages, magazines and newspapers shrink or disappear altogether, it’s no longer clear what impact book reviewers can have on a career. The endorsement of someone whose work – critical or otherwise – you admire remains important to many writers.

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