A perfectly ordinary dachshund observes the problem of being

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No name for the country

Non-fictionFor the past thirty-odd years, Hideo has worked exclusively in Japanese, publishing several novels and collections of criticism and essays. Why Japanese? is a question he is often asked. It harbours a kind of suspicion: why would a native speaker of the English language, the language of power and prestige and capital ... give it all up in favour of a comparatively minor language, a marked and ethnicised tongue?

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Into the void

Non-fictionI think with a little fear, as I often do, of the many other (and much larger) creatures whose natural territory this is, and scan the surrounding water for any dark, fast-moving shadows. But soon I relax and settle into the rhythm of my freestyle stroke. Breathe. Pull. Pull. Pull. Breathe. Pull. Pull. Pull. Breathe.

Object permanence

Non-fictionTigger arrived with one eye and a tender but wary disposition, and at first it seemed like the missing eye would be the locus of his mystery. But within a few months of his living in my small apartment, he began presenting strange troubles – back legs listing when he turned a corner, spasms in his resting spine – that were quickly diagnosed as arthritis and diabetes.

Narratives of the natural world

In ConversationAll kinds of interpretation are a form of fiction. These are fictions that we need in order to connect with the larger environment. When our current thinking has failed to make us think of ways to connect with the environment, art may be the only way we can have access to new ways to think about where we are in relation to the environment.