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About the author

Isabella G Mead

Isabella G Mead’s debut poetry collection, The Infant Vine, was published in 2024 by UWAP. Her work has appeared in Meanjin, Island, Rabbit, Westerly,...

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Trip Advisor review of a protest

Poetry Firstly, what’s with all the footwork? A downward slope would be an attribute. There’s enough gory fundamentalism without toe jam. On that note, can...

Non-fictionIn the 1990s the term ‘cultural economy’ brought a double meaning to creative work. First, it captured the cultural dimensions of economic activity, like packaging design or marketing, and gave them an artistic dimension. Second, it referred to an expanding category of economic activity concerned with cultural goods and undertakings centred around value and profits. It would see the ascendancy of creatives to the C-suite, where companies across a range of industries appointed chief creative officers (CCOs) to oversee ‘creative activities’ and align them to corporate strategies and visions. Scan through job descriptions and you’ll see that CCOs are expected to be strategic leaders and ‘igniters’ of creative intuition within organisations. CCOs are charged with finding more ‘creative solutions’ to problems that often stretch beyond an organisation’s core operations.

The art of appropriation

In Conversation When Brandi Salmon taught herself to paint as a teenager in country Victoria, she never imagined she’d grow up to be a full-time visual...