Björk in concert

Featured in

  • Published 20250506
  • ISBN: 978-1-923213-07-4
  • Extent: 196 pp
  • Paperback, ebook, PDF

AFTER THE FLOOD, everything swells. Life. Alive. Wood that is pregnant with us. All the air is birth and sex. All the genders I could couple with, and those I can’t, take flight. We fuck in air currents, hurled into the sky like tiny rockets. We fuck on the surface of trees. We fuck in the pelts of animals and dig our bodies deep into the soil, looking for the dark places where we might copulate and spread. Knots of our gorgeous bodies unfurling pale little cocks towards the intermittent sun. More rain than our tangled collective brain can remember. More rain than we have had in a thousand years. All of it at once. Everything becomes water. We live in it as we have lived at the bottom of the ocean floor and in streams and in tears. 

The rain stops and sex riots up like laughter and we lodge in every place imaginable, colonising footpaths and houses and forests and riverbanks. This singular being, this human who calls himself Raymond Tallis, takes a breath in and we tumble to darkness, lodge in his lungs. There is another with me. We land in a huddle and touch each other for compatibility. Some of us are not the right gender, but this one is right for me. None of my type have ever coupled with this type. We shudder with the possibilities of newness. What will we become when we grow into ourselves together?

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

The knitting

The spores that caught and coupled. The filaments that grew, the hyphae that became the sum of our parts. All of it powered by water, powered by oxygen, powered by sugars, nutrients, deaths, resulting in bodies rotting in the ground. We spread out, touching the soft new roots of trees, entering them. Connecting them. A knitting. 

More from this edition

It ain’t easy being twee

Non-fictionDuring my pre-teen years, I amassed a large collection of animal plushies and figurines. I loved collecting different species, different families and different genii. I didn’t just want a generic teddy bear, I wanted specific representations of the animal kingdom: grizzly bears, black bears, sun bears and so forth. (FYI: in earlier decades, it was hotly contested whether giant pandas were true bears or were closer to their raccoon relatives, so my panda plushie split its time between families.) My plushies were ‘decluttered’ when they were no longer ‘age appropriate’. I was expected to become a different kind of person – one who doesn’t think about plushies. One who can get by on utility, with no need for art, beauty or whimsy. One who can use their perspicacity for something sensible. It wasn’t to be. My dad’s influence failed miserably – emphasis on misery. Or, arguably, it swung me further away, back in the direction of my grandparents, imbuing my possessions with sentience, value and personality. I find it unbearable to let anything go. 

Stuff

FictionMarty was my algorithm. He told me which internet plan to get. He researched the best conductive wall heater. He chose my clothes every night for the next day. He gave me a list of where I could go on my lunchbreak. Sometimes his decisions were arbitrary, or mysterious to me. But I did not care. It was, yes, like being a child again. And maybe Rachel was right; maybe there was something to that, something deep in my psyche. But all desire came from that deep, dark place of infancy. Your leather penchant is my life-coach-boyfriend-boss. None of us can take the high road here.

A half-century of hatchet jobs

Non-fictionAuthors and publishers worry that bad reviews kill sales. I’ve seen no evidence that this is the case, but plenty that bad reviews distress and demoralise their subjects. Many people who care about literature endow criticism, and especially negative reviews, with magical powers. They hold dear the fantasy that if critics did a better job, if they were braver soldiers, the profound structural problems that bedevil Australian literature – books rushed to press, low pay, policy indifference, plummeting reading rates, crisis in higher education, not to mention the racism and the classism – might somehow disappear. A cracking review ennobles its subject with attention and consideration, but I’ve never seen one earn an author a higher advance on their next book or buy them more time for revision, let alone shift the federal arts budget.

Stay up to date with the latest, news, articles and special offers from Griffith Review.