Trip Advisor review of a protest

Featured in

  • Published 20250506
  • ISBN: 978-1-923213-07-4
  • Extent: 196 pp
  • Paperback, ebook, PDF

Firstly, what’s with all the footwork? A downward slope would be an attribute. There’s enough gory fundamentalism without toe jam. On that note, can you jack up the lighting? Or at least turn down the speakers? Death is a mute note now that we’re walking. The feedback feels too direct. Can anyone hotspot me? I’m having connectivity issues. Solidarity in extreme deprivation. If only there were scheduled intermissions. Note: the horses are not to be patted. Say hi though ’cos equity is chantable. What’s right is vengeance, of course, though we’re turning left now. How chic! This is the nicest part of town but still very dingy. Question: who sweeps up all these crunched leaves afterwards? This isn’t the four seasons! Get me a big banner. The centre will hold another meeting, evidently. Like, doesn’t this pace feel a little oppressive? Slow down & let me get myself in alignment. These sweat stains are so traumatic. And has anyone noticed how the security camera looks like it’s on fire? No, sorry, that’s the sun… What is it to wince en masse? Get me an even bigger banner! Can’t they hand out hats at these things? At the end of the line, someone asks me to take some snaps. I click my fingers. They raise peace signs.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

Is poetry disabled?

In poetry’s capacity to self-define, to reject conventionality, to be in a constant state of flux and to hold the contradictory together in its granularity, it subverts formal systems of designation time and again. Poetry then avoids simple diagnosis, at least pre-emptively.

More from this edition

Scrolling to the end

IntroductionOur contemporary content malaise feels very recent, yet the twentieth-century media scholars Marshall McLuhan and Neil Postman predicted our technological capture decades before Mark Zuckerberg and his college roommates devised a neat way for their fellow Harvard students to connect online.

When the ships become water nymphs

Poetry Swans that are almost swans, sharp-tongued fruits,  mocking sheep farmers whose faces grow woollen, dancers at the bush-doof manic to their portable generators – changes come swift...

Resisting the ‘Content Mindset’

Non-fictionWhen we hear publishers, broadcasters or gallerists describing creative work as content, we know immediately that their approach is transactional. When we hear people describe their own work as content, they have already become complicit in their own exploitation. Social media profiles the world over feature bios identifying their owners as ‘content creators’: people who produce interchangeable matter to fill someone else’s space. Social media accounts are available free of charge on the basis that we will keep creating the work that feeds and evolves the algorithm, provides a culturally authentic context for ad placement and keeps us all scrolling – our number-one self-selected addictive behaviour.

Stay up to date with the latest, news, articles and special offers from Griffith Review.