A freer state of being

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Mapping my queer lineage

GR OnlineWhen I graduated from high school, I was finally free to leave – to venture beyond the borders and confinements of my small town to search for something I inherently knew was missing from my life. And so, at seventeen years of age, I sped down the well-worn Carnarvon Highway towards an uncertain future.

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Resisting the ‘Content Mindset’

Non-fictionWhen we hear publishers, broadcasters or gallerists describing creative work as content, we know immediately that their approach is transactional. When we hear people describe their own work as content, they have already become complicit in their own exploitation. Social media profiles the world over feature bios identifying their owners as ‘content creators’: people who produce interchangeable matter to fill someone else’s space. Social media accounts are available free of charge on the basis that we will keep creating the work that feeds and evolves the algorithm, provides a culturally authentic context for ad placement and keeps us all scrolling – our number-one self-selected addictive behaviour.

Creative industry

Non-fictionIn the 1990s the term ‘cultural economy’ brought a double meaning to creative work. First, it captured the cultural dimensions of economic activity, like packaging design or marketing, and gave them an artistic dimension. Second, it referred to an expanding category of economic activity concerned with cultural goods and undertakings centred around value and profits. It would see the ascendancy of creatives to the C-suite, where companies across a range of industries appointed chief creative officers (CCOs) to oversee ‘creative activities’ and align them to corporate strategies and visions. Scan through job descriptions and you’ll see that CCOs are expected to be strategic leaders and ‘igniters’ of creative intuition within organisations. CCOs are charged with finding more ‘creative solutions’ to problems that often stretch beyond an organisation’s core operations.

Bypassing the gatekeepers

Non-fiction IN THE OPENING scene of the Copa 71 documentary, we see US women’s soccer great Brandi Chastain watch archival football footage on an iPad. (Chastain...