Edition 94

Out of Office

  • Published 3rd November, 2026
  • ISBN: 978-1-923213-25-8
  • Extent: 196pp
  • Paperback, eBook, PDF

Most of us will spend a dispiriting 90,000 hours of our lives at work. That’s a third of the average lifespan; no wonder so many of us want to stick it to the man.

Love it or hate it, how we spend our working hours – whether for ourselves, for our families or for a faceless corporation – can have a profound influence on our self-worth, our social circles, and our sense of purpose and identity. But where did work come from? What rights should our employers have to circumscribe our speech? What’s the role of unions in the twenty-first century? Why don’t we have a universal basic income? How do we separate our jobs from our selves? And whatever happened to the four-hour work week? 
 
This edition of Griffith Review  clocks in for another day at the coalface.  

Marc Martin, Telephone (2023), 33 x 45 cm 

In this Edition


I quit

Most readers will probably fall somewhere between our house-hold’s extremes of embracing and rejecting paid work. But while Silicon Valley has been violently taking up the grindcore ethos for the past year or so, quitting has become very on trend elsewhere. Covid sparked a ‘great resignation’, as people stuck in lockdowns reconsidered their relationship to work and quit their jobs in droves, enabled by temporary expansions of the social safety net. Then there was ‘quiet quitting’, where you still showed up to work but didn’t offer any additional enthusiasm, time or effort. The fact that just doing your job was seen as a sort of ‘quitting’ helped expose the expectation that we invest both unpaid overtime and unacknowledged emotional labour in work.

Chance governs all

Monday to Friday, you spent most of your waking hours there. It was the place where you fell in love, fell out with other people, or worked side by side with someone who filled your handbag with staplers. It was the fabric of your life, the woof and warp of it. This is the nature of the office, and why so many sitcoms and dramas are set there. But more than that, in the London of that period, just travelling to and from it placed you at the mercy of contingency.

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