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Rare

There are many ways to carry a story. My father smothered his stories with bravado. Here he is, laughing at the sea drenching him on the deck.

A Little Box 

And didn’t I grant you  six identical faces, each perfectly plain as the other  and a sturdy mouth to clasp shut?

Reading the room

But if writing and reading about books means we’re ‘perpetually stressed and disappointed with book reviewing’, I can’t help but wonder if this recurrent hand-wringing demands more than to be defended or disputed on the grounds of accuracy or defensibility alone. Are book reviews ‘good’ or ‘bad’? Is the ‘soft vs snark’ binary real?

Consuming content

‘Do food bloggers realize how awful their recipe pages are?’ a Reddit user innocently enquires in a thread I stumble across while googling food blogs bad. ‘Do they take reader satisfaction into account?’ According to more than 600 replies, the answer is largely no.

Beware the funky murals

Yet increasingly murals are rolled out by local government with the aim of rapid redevelopment and gentrification of traditionally working-class areas... The broader function of officially sanctioned public art like this is to make a place more attractive to developers...and middle-class home buyers.

Picture of Gerwyn Davies against blue and pink background from his artwork Poof

Cloak and swagger

There is a tension that I am trying to provoke – a back-and-forth between invitation and denial, visibility and invisibility, surface and depth – that arises in various ways throughout the work. It is in the presentation of the figure and its ‘lingering traces’, the cloak of costumes with their vibrant materiality, the seductively polished yet impenetrable terrain of the images.

Lunch bars

From cream buns and vanilla slices to cheese-filled sausages and salad sandwiches, working-class culinary culture would not be the same without the lunch bar. Typically tucked away in a corner of the city’s suburban, industrial and commercial districts, lunch bars have sustained the work force with an array of no-frills fast food since the 1950s.

Cosy, all too cosy

I had such fun doing the project, which was sort of like organised yarn bombing... It was a project for a specific area, a swimming hole in a small town outside of Warrnambool, and I created floating waterlilies that went in the pond as well as birds and nests and things that went in the trees – about half-a-dozen pieces.

Genuine article

The pieces in this edition mine the social, cultural and emotional ramifications of our shifting relationship with reality: the power of deepfakes, the possibilities of AI-generated art, the changing face of cosmetic surgery, the performance of pornographic pleasure, the dangers of corporate greenwashing, the allure of conspiracy...

The future is hackable

Deepfakes point to a future that is simultaneously euphoric and apocalyptic: philosophers have positioned them as ‘an epistemic threat to democracy’, journalists have called them ‘the place where truth goes to die’, futurists have portrayed them as the digital harbinger of a mass ‘reality apathy’ in which even video will be a lie.

From Russia with love

The 'socialisation of women' narrative arose from journalistic innovations associated with the First World War. In response to an unprecedented demand for up-to-date news, the Australian press had embarked on rapid technological change. Editors installed steam- and rotary-powered printing machines, established distribution fleets of automobiles and trucks, and hooked up their newsrooms to telephone lines.

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