Medea – towards the end - Griffith Review

About the author

SJ Finn

SJ Finn is a fiction writer and poet from Melbourne. Her poetry has been included on short and longlists, including the Peter Porter Poetry...

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Non-fictionHow poetry works – its oracular way, its indirection – is how land works, he saw. Land as a teacher, as an embodiment not only of its own intergrity but of human aspirations and virtues like hope and beauty; land as an educator of the senses; land as a measure against which to prove and compare one’s own and others’ lives, as a theatre for the divine comedy of all human life; land as an elder, as a god, as a library...

Back to the red earth

FictionBefore she opens her eyes, she knows with the very same certainty that she is of this land that Juanjo, her lover and the father of her five guris, isn’t going to be asleep by her side. But she could for once be wrong. So, she stretches out her arm and feels around. Instead, her fingertips touch his perfectly tucked-in bedsheet. His side of the bed is vacant like the rows of this year’s failed crop.

Filling the void

Non-fictionThese failures of clean-up, or ‘mining legacies’, are the result of booms and busts – of minerals drifting in and out of favour. Nothing is as precious as a hole in the ground – until that hole in the ground is worth less than nothing. When a boom ends and a resource’s price plummets, a quarry’s metamorphosis from asset to liability can take place in an instant. When abandoned mines are located in out-of-the-way places, populated by those with little political influence, tailings may simply be left to blow in the wind.