Featured in

- Published 20230207
- ISBN: 978-1-922212-80-1
- Extent: 264pp
- Paperback (234 x 153mm), eBook


Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author

The great divide
In ConversationIn the ’80s, and maybe the early ’90s, fashion was a political statement just like art was…and real art wasn’t about selling out or succeeding in a mainstream context; it was the opposite. The whole idea was that you didn’t want to conform. Anyone who was trying to make money off your art or helping you make money was corrupt or compromised. The last thing you did as an artist or a writer in the ’80s was self-publicise – it was so naff, it wasn’t done. Street cred was what mattered. And I’ve been watching, with social media and the internet, this 180-degree shift over the last few decades.
More from this edition

Outside, Mona Lisa
Non-fictionWhere bushwalking is concerned, Tasmanian maps are not an authentic picture of the landscape. They’re fine if you want to stick to well-known trails, but if the track has been assigned a T4 rating it won’t be on the map. Sometimes that’s because the route is so rough it would be misleading to mark it as a track, but sometimes it’s that for a range of management and environmental purposes, the PWS just doesn’t want many walkers going there.

No name for the country
Non-fictionFor the past thirty-odd years, Hideo has worked exclusively in Japanese, publishing several novels and collections of criticism and essays. Why Japanese? is a question he is often asked. It harbours a kind of suspicion: why would a native speaker of the English language, the language of power and prestige and capital ... give it all up in favour of a comparatively minor language, a marked and ethnicised tongue?

The Wrestling of Art
PoetryWe’re tired of the caged horizon, the canned emotion. But the spectacle of the crimson world is a real slobber-knocker of a struggle.