The future is hackable

Apocalypse and euphoria in a deepfake world

Featured in

  • Published 20230207
  • ISBN: 978-1-922212-80-1
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

How we move forward in the age of information
is gonna be the difference between whether we survive
or whether we become some kind of fucked-up dystopia.

Obama deepfake, 2018

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

The great divide

In ConversationIn the ’80s, and maybe the early ’90s, fashion was a political statement just like art was…and real art wasn’t about selling out or succeeding in a mainstream context; it was the opposite. The whole idea was that you didn’t want to conform. Anyone who was trying to make money off your art or helping you make money was corrupt or compromised. The last thing you did as an artist or a writer in the ’80s was self-publicise – it was so naff, it wasn’t done. Street cred was what mattered. And I’ve been watching, with social media and the internet, this 180-degree shift over the last few decades.

More from this edition

No name for the country

Non-fictionFor the past thirty-odd years, Hideo has worked exclusively in Japanese, publishing several novels and collections of criticism and essays. Why Japanese? is a question he is often asked. It harbours a kind of suspicion: why would a native speaker of the English language, the language of power and prestige and capital ... give it all up in favour of a comparatively minor language, a marked and ethnicised tongue?

The trick that tells the truth

Non-fictionAs subjects of late capitalism, we’ve become inured to the amoral cynicism inherent in relentless corporate marketing; yet both the good faith of our human nature and the susceptibility of our lizard brains ensure that we also remain receptive... In 2020, the disjunction between AGL’s public relations and the truth of the company’s business practices was highlighted and ridiculed in the public realm, ending in a court case of profound significance on Australia’s twisted road to belated action on climate change.

Living in kayfabe

Non-fictionOn free-dress days, I wore my sister’s dance tights to school because they made me feel like I was a real wrestler. I would’ve worn my Speedos if my mum let me. Other kids stared at me and asked ‘What are you wearing?’ and I’d tell them that this was my wrestling gear.

Stay up to date with the latest, news, articles and special offers from Griffith Review.