Featured in
- Published 20250204
- ISBN: 978-1-923213-04-3
- Extent: 196 pp
- Paperback, ebook. PDF

Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author
Escaping the frame
In ConversationAll my work as a writer and activist over the last fifty years has comprised various attempts at what I call ‘escaping the frame of European colonisation, European story and European ways of telling story’.
More from this edition
Load
FictionWhen I wake up from being a dishwasher, curled on the floor of my apartment, it’s like I have woken from the perfect slumber. I don’t think I have felt like this since the womb. Imagine being able to temporarily kill yourself. The world, the body, weighs heavy. Being a dishwasher is the closest I have ever felt to bliss. Before this, the closest I got to bliss, true bliss, was getting high with my dad and eating a cream corn and cheddar toastie at the Murchison Tea Rooms.
Bellend
Poetry ‘Nice little bell, buddy,’ snipes some guy holding space in the bike lane as I nearly swipe him on my way to the shops. Low and...
More than maternity
Non-fictionPrinciple among art-history instances of breastfeeding are paintings, sculptures, tapestries and stained-glass art in churches that relay key Biblical moments of the Virgin Mary nursing the baby Jesus. Should you find yourself in the corridors of the Louvre, in the same halls where kings and princes are eternalised, one singular image of breastfeeding will make its way towards you time and time again: that of the Virgin Mary nursing the baby Jesus, which emerged in the twelfth century and proliferated in full bloom from the fourteenth as her cult of worship grew. In art, the nursing Virgin is called the Madonna Lactans, and she is a sanctity. Most of all, as the Church’s model of maternity, she is silent.