Sartre’s lobsters 

Dualism and the humble crustacean

Featured in

  • Published 20231107
  • ISBN: 978-1-922212-89-4
  • Extent: 208pp
  • Paperback, ePub, PDF, Kindle compatible

IN YORGOS LANTHIMOS’ absurdist black comedy The Lobster (2015), single people are forced to relocate to a hotel and find a romantic partner within forty-five days or be transformed into an animal of their choosing. Most, unsurprisingly, elect to become dogs. But David, the film’s protagonist (played by Colin Farrell), is set on a different animal: a lobster. When asked why by Olivia Colman’s hotel manager, David replies without hesitation: ‘Because lobsters live for over one hundred years, are blue-blooded like aristocrats and stay fertile all their lives.’ (He adds that it’s also because he likes the sea very much.)

‘A lobster,’ the manager says, ‘is an excellent choice.’

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

Fire and finitude

Nobody any more seriously doubts that cigarettes are injurious… What is not well understood by those opposed to smoking is that the danger of cigarettes is not antithetical or even peripheral to their appeal – it is central to it.

More from this edition

Before I forget again

Poetry I am a ceramic horse in kintsugi  fields. Shards shred my tongue to gold  rivers. Cracked and crazed – from fire  gallops beast. Memory slips  lapis lazuli. I break  curses, gather spells. Nudge  fresh letters in water troughs – watch words bob – shiny  new apples to crunch.

Fly on the wall

In ConversationAnimals are extremely important and extremely neglected in our public discourse. We’re not even paying enough attention to human rights and human justice issues, and we’re paying next to no attention to non-human rights and non-human justice issues. That doesn’t mean that we don’t care – people do care about animals, and they want animals to have good lives – but we’re either unaware of or unwilling to acknowledge all the pain and suffering that animals experience as a result of human activity.

Taking the reins 

Non-fictionThat’s when it started, I think. That evening at home I cantered on an imaginary horse along the lawn towards our back paddock, reciting over and over the lines I could remember. An unusual initiation, maybe, but it was ‘The Man from Snowy River’ that set a bespectacled, bookish ten-year-old on course to becoming a ‘horse girl’. 

Stay up to date with the latest, news, articles and special offers from Griffith Review.