Notes to a biographer INK THIS: IN the afternoons he would begin to drink – not very much, but steadily – to gauge... By Brian Castro
Sunlight FOR THREE DAYS straight, Anna had stayed inside, limbs aching, senses dulled. She'd heard Tom come and go –... By Cameron Raynes
Ecologies of creative diversity I AM NOT the greatest fan of the obligatory cultural tours that are increasingly anchored in the program of... By Huib Schippers
Fifteen minutes WHEN MILTON, IN Lycidas, tells us that "Fame is the spur that the clear spirit doth raise/ To scorn... By David Malouf
Bee Gees to Boat People 'WHAT IS IT about music education in Queensland?' This question is often asked when Australian music educators gather. Everyone... By Julie Ballantyne
A tale of two cultures UNDERSTANDING OF ART can no longer be limited – as it often appears to be in the popular imagination... By Elizabeth Ann Macgregor
Industry that pays, and art that doesn’t The critical attitude Strikes many people as unfruitful. That is because they find the state Impervious to their criticism. But what in this... By Robyn Archer
Risky business in challenging times TWO THOUGHTS SPRANG to mind as I dangled from the top of New Zealand's tallest building one sunny November... By Ryan Heath
In the gap between two ways of seeing THERE WAS A time when, if asked what I did, I could reply without hesitation that I was an... By Kim Mahood
A colonial state of mind THE PUSH FOR war in Iraq went in to overdrive in September 2002, six months before the first American... By Peter Manning
I had written him a letter IF YOU'RE LOOKING for an example of how a classic literary text can speak to the present, you could... By Nicholas Jose
The river or the boat? LIKE TINY TERRORISTS, a slew of toxic memories from the last twenty years swarm through my mind when considering... By Julian Meyrick