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- Published 20250204
- ISBN: 978-1-923213-04-3
- Extent: 196 pp
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There’s something wrong
Almost twenty years ago, before I left my parents’ house – my home, my country, my continent – to adventure into a new world, I did the maths. If I visited my parents every week for the rest of their lives, I might be able to spend another year with them.
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No secret passageway
Non-fictionIn 2001 I read an article in The Guardian newspaper about a man who fell from the sky, landing in a superstore car park not far from where I live in London. The article, by journalists Esther Addley and Rory McCarthy, detailed how the Metropolitan Police discovered the dead man’s identity through a combination of luck, Interpol and British-Pakistani community workers. Muhammad Ayaz had managed to slip through security at Bahrain airport, run across the tarmac and, according to witnesses on the plane, disappear beneath the wing of the British Airways Boeing 777. The article quotes a spokesman from the International Air Transport Association: a myth circulates that there is a ‘secret hatch from the wheel bay into the cargo bay, and then into the passenger cabin, as if it were a castle with a dungeon and a series of secret passageways’. No such passageway exists and Muhammad would have found himself trapped in the wheel bay with no oxygen, no heating and no air pressure as well as no way out. If he wasn’t crushed or burned by the retracting wheels, he may have frozen to death once the flight reached 30,000 feet, finally falling out hours later when the plane lowered its landing gear as it prepared to touch down at Heathrow.
One language among many
Non-fiction Wyperfeld National Park, Wotjobaluk Country, October 2019 I PASS A defunct railway siding, the remnant mound like a sleeping animal. Pull up beside a mallee...
Painting behind bars
In ConversationEvery time I grab a toothbrush, it makes me smile that [this all began] at Manus. I mean, this technique comes from suffering. This is not from university. I am forbidden from studying or getting a qualification here, but sometimes we can learn from suffering. I am managing to heal my trauma [with] painting. Whenever I feel sad, I paint. Whenever I feel happy, I paint. It’s like a treasure, how can I explain it? It’s invention, it’s something that hasn’t happened before. Everyone uses a toothbrush, but when I paint with a toothbrush I feel it helps me understand that my work, the marks I make, are very unique. It brings the story back. I don’t want people to forget about the story because I don’t want to escape from who I was, who I am. I would like to share the truth that this happened to me.
