Featured in
- Published 20230207
- ISBN: 978-1-922212-80-1
- Extent: 264pp
- Paperback (234 x 153mm), eBook
Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from this edition
Wax
FictionI touch the wax of their pickaxes, then run my hand along the wax rock of the walls. One man squats a few metres away from the others, holding a pan. As I move towards him, I notice a label with descriptive text about Victoria’s gold rush, a reminder of the foundational gruesomeness of the enterprise – the colonial history of world’s fairs, or zoos, here insisting on itself in a minor carnival of the macabre.
About face
Non-fictionOur image-centred world has elevated what writer Jia Tolentino calls ‘Instagram face’, a racially ambiguous assemblage of ethnic ‘greatest hits’ – wide cat-like eyes, big lips, smallish nose, high cheekbones. Few people will have a face that fits this template... But, whatever, you can pay for it.
No name for the country
Non-fictionFor the past thirty-odd years, Hideo has worked exclusively in Japanese, publishing several novels and collections of criticism and essays. Why Japanese? is a question he is often asked. It harbours a kind of suspicion: why would a native speaker of the English language, the language of power and prestige and capital ... give it all up in favour of a comparatively minor language, a marked and ethnicised tongue?
