Featured in

- Published 20250204
- ISBN: 978-1-923213-04-3
- Extent: 196 pp
- Paperback, ebook. PDF


Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author

Dying of exposure
Non-fictionPublishing is a weird industry, a retail supply service where every day hundreds – thousands – of brand-new, untested products are launched, each one a little bit different to the last. The long-haul career trajectory of most writers is increasingly difficult to maintain with incomes nosediving, as evidenced by multiple surveys. The road is cluttered with novelists brought down by ‘bad track’, their new books rejected because of the poor sales of previous titles. But as readers we still need help to discover good books, to figure out what to read next. As book pages, magazines and newspapers shrink or disappear altogether, it’s no longer clear what impact book reviewers can have on a career. The endorsement of someone whose work – critical or otherwise – you admire remains important to many writers.
More from this edition

One language among many
Non-fiction Wyperfeld National Park, Wotjobaluk Country, October 2019 I PASS A defunct railway siding, the remnant mound like a sleeping animal. Pull up beside a mallee...

Blackheath mating rituals
Poetry Clouds ripple, sunshine splashes, a white dove tests its wings. Bella and Houdini are hanging clothes on the line of the landlord when flirtation greets them: the...

Painting behind bars
In ConversationEvery time I grab a toothbrush, it makes me smile that [this all began] at Manus. I mean, this technique comes from suffering. This is not from university. I am forbidden from studying or getting a qualification here, but sometimes we can learn from suffering. I am managing to heal my trauma [with] painting. Whenever I feel sad, I paint. Whenever I feel happy, I paint. It’s like a treasure, how can I explain it? It’s invention, it’s something that hasn’t happened before. Everyone uses a toothbrush, but when I paint with a toothbrush I feel it helps me understand that my work, the marks I make, are very unique. It brings the story back. I don’t want people to forget about the story because I don’t want to escape from who I was, who I am. I would like to share the truth that this happened to me.