Trip Advisor review of a protest

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Is poetry disabled?

In poetry’s capacity to self-define, to reject conventionality, to be in a constant state of flux and to hold the contradictory together in its granularity, it subverts formal systems of designation time and again. Poetry then avoids simple diagnosis, at least pre-emptively.

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A freer state of being

Non-fictionToday, we live in a time in which self-worth and value are often signified by a numerical figure – how many followers we have, how many likes we receive, what level of traction our posts incite. We live in a time in which this numerical figure equates to social capital, with digital ‘celebrities’ gaining varying levels of access to places and perks on the basis of their following. We live in a time in which the aesthetics and metrics of this burgeoning digital realm pervade and influence not only the way we live our lives but what we perceive to be reality. We understand ourselves and the world around us through the cultural codes, signs and symbols we consume. We depend upon and wield such cultural codes, signs and symbols to inhabit narratives in which we wish to belong, fashioning them like an armour that tells the world who we are. Appearances are everything.
But hyperreality is an unstable landscape. When our cultural codes, signs and symbols give way, so too do our carefully curated identities, which inevitably implode.

Björk in concert

FictionThe wind feels strange on his face. He hasn’t stepped outside in too long. He hesitates in the doorway. He really doesn’t have time for this. He needs to write that last chapter. He needs to finish what he has promised. What separates humans from everything else is our urge to create. He turns back towards his computer but then he is outside and locking the door and it feels like he has no agency over this. His body wants to go for a walk and so he must walk. He catches a glimpse of something bright poking up through the mulch at the base of a tree. A mushroom. Then suddenly they all come into focus. Mushrooms everywhere. Mushrooms on tree trunks like little shelves for fairy books, mushrooms in the mud and mushrooms in among the grass. There are even little net-like things around red stalks. Weird Cronenberg mushrooms, half fungus, half machine.

Culture warrior

Non-fictionIt’s safe to say, then, that Star’s protagonist is not a carbon copy of Mishima, despite the novelist’s status as Japan’s first Sūpāsutā (superstar). Twenty-three and blindingly gorgeous, Rikio Mizuno, known by the anglicised monomer Richie, is a Japanese James Dean. ‘I am a speeding car that never stops,’ Richie muses, conflating the icon with the instrument of his death. ‘I’m huge, shiny and new, coming from the other side of midnight… I ride and ride and never arrive.’ Unlike Dean, Richie survives past his twenty-fourth birthday, the addition of a single year weighing on him like a death sentence. At the story’s conclusion, when Richie is confronted by the crinkled visage of a matinee idol of yesteryear, he realises that having celebrated the twenty-fourth birthday Dean was denied by his Porsche 550 Spyder, ‘Little Bastard’, he has missed his chance to, as Dean said, ‘Live fast, die young and leave a good-looking corpse.’ Anyone who has been to a gay guy’s thirtieth birthday party will recognise the sentiment.