Nobody panic 

A philosophical meditation on social media and our kids

Featured in

  • Published 20250506
  • ISBN: 978-1-923213-07-4
  • Extent: 196 pp
  • Paperback, ebook, PDF

I REACHED ADOLESCENCE in the mid ’90s, when all there was to do was ride our bikes to Blockbuster, rent videos and eat pizza. At birthday parties we summoned the dead with homemade ouija boards and played Murder in the Dark. It was a time for backyard bonfires and going to the movies with a boy you liked and sitting in coffee shops pretending you were Ross or Rachel or Phoebe or Joey. The internet was a baby – a magical thing you used on the family computer, waiting through trills and pings for a connection, only to send a one-line email to your friend Kate who wouldn’t be able to reply because her brother was playing Minesweeper or her sister was on the telephone. It was innocent and wholesome and slow and fibrous, and still our parents found things to panic about. 

Our childhood was disappearing at an alarming rate due to the satanic music of Marilyn Manson. When we weren’t at risk of abduction, we were watching too much television, rotting our brains. Ecstasy and speed were killing us. Mortal Kombat. South Park. Rap, for Godssakes. My mother had a particular vendetta against low-cut jeans and Courtney Love, and a lingering suspicion of Kylie Minogue. I was never, ever allowed to watch The Simpsons. It was a wonderful time to be alive. 

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

Instructions for killing monsters

I do know this: Never in the history of the world has any monster been defeated with fear. (Literally, never. I checked.) Ultimately, the only shields against the powers of destruction, death and evil are the qualities that come under the banner of love, which is the bright day to fear’s night.

More from this edition

Bypassing the gatekeepers

Non-fiction IN THE OPENING scene of the Copa 71 documentary, we see US women’s soccer great Brandi Chastain watch archival football footage on an iPad.  (Chastain...

You will be seen now

PoetryI saw a fin- ger loosen the zipper,the bag’s tan exterior animated by teeth.  Beneath knuckle-white shades, faces surfaced–witnesses in a waiting room.  Pareidolia or paranoia?Malice etched in putty. Everything...

Know thyself

Non-fiction THE FIRST TIME I left Australia, I was six years old. My parents took my sister and I to Greece, the original home of...

Stay up to date with the latest, news, articles and special offers from Griffith Review.