The National Institute of Standards and Technology

About the author

Andrew Galan

Andrew Galan is the author of two collections of poetry, That Place of Infested Roads and For All the Veronicas, and his work has...

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Put your house in order

In Conversation Poet, performer and musician Pascalle Burton has always been compelled by the visual possibilities of language and the imaginative dynamism of collage. Her multimodal...

Non-fictionBeneath my fantasy of a regular wage is the puerile hunch that if I stay in academia, I can regain some of the nervy possibility I held as an undergraduate student. It was at university that I first met people whose days were preoccupied with thinking, reading and writing, revelatory mostly because they were compensated for these activities with bourgeois trappings and validation. With hindsight, I can recognise that my straining so doggedly to become the kind of person who succeeded according to the university’s metrics mainly taught me what bell hooks says is the primary lesson of college – namely, ‘obedience to authority’.

The great divide

In ConversationIn the ’80s, and maybe the early ’90s, fashion was a political statement just like art was…and real art wasn’t about selling out or succeeding in a mainstream context; it was the opposite. The whole idea was that you didn’t want to conform. Anyone who was trying to make money off your art or helping you make money was corrupt or compromised. The last thing you did as an artist or a writer in the ’80s was self-publicise – it was so naff, it wasn’t done. Street cred was what mattered. And I’ve been watching, with social media and the internet, this 180-degree shift over the last few decades.