the road of ghosts

Featured in

  • Published 20240806
  • ISBN: 978-1-922212-98-6 
  • Extent: 216pp
  • Paperback, ePUB, PDF

I AM ON the haunted road and then I am inside a memory and the memory is of all those cold mornings. In the memory, I am remembering: the gnarled hand flicking forward, baronial, holding mine in front of my face, mimicking the angle of his wrist. The memory inside the memory is distilled to the word fingertips. That is all I have to remember, I tell myself as I walk towards the stadium, fingertips, fingertips, fingertips, and a cocked wrist. It is his voice speaking through me. I listen. I am an adult and I harbour the child. She always listened. The stadium is empty except for the cleaner. I wave to him. He unlocks the automatic doors for me with a smile. Out on the court, the leather scales of the basketball are soft. I grip them tautly with the fingers of my right hand. I dip. I flick and snap my wrist. The ball moves: fleeing, falling. It drips like water through the net. I breathe. Fingertips, fingertips, the voice whispers. Finger, it screams, tips. There is still an hour before anyone else from the national league squad arrives for our team training. I walk to the bathroom. I can no longer breathe. I am sobbing, breathless, for no reason. My reflection surveys my wet face in the mirror. I tell her to breathe. She smiles through the tears catching on her eyelashes. 

I SLITHER OUT of this memory. I am on the road again. Looking back, I can see all the little shreds of bleeding skin I have left behind. I look at my bruised forearms and the scabs turned scars on my legs. The marks are now tiny memorials to forgotten moments. I glance backwards again. The start of the road leads to him: a man only of my memories, but still I can hear his voice. It is a voice that carries and deepens and booms as it enters me. He is a mentor, the skills specialist, my shaper. He is his own contradiction: calm and briskly furious and gentle and brutal and cold and humorous. If I cast my eyes far enough down the long road, I can see him – Graeme – as I first saw him, but only because he has never changed appearance. The ghost that stands watching on the yellow lane line thirty metres in front of me still looks like him.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

Working body

We are taught to fear visible improvement. We are taught, passively and explicitly, to be ashamed. It is bad to look strong and muscular: our figures should not have a noticeable presence; they should not occupy too much space.

More from this edition

Lifedorm

FictionThe fourth, fifth, sixth and seventh decades filled me with bitterness. I felt like the big oak tree in the centre of our play garden, stuck in the same place forever. Except even the oak tree’s life was more interesting because when it was small Parent 3 had told us to be careful not to step on it, and now it was this huge thing with ugly tree wrinkles and scars in the trunk from the branches we cut off to build a raft one summer, but I’d hardly grown at all.

The Juansons

FictionIn the morning, she walks over to the Johnsons’ place and knocks on the door. Nothing. She calls the police, but once the officer on the phone understands that Norma is not the boy’s kin, he brushes her off. She makes coffee and goes into the living room and turns on CNN. A banner across the top of the screen reads: INSTANT E-DEPORTATIONS ACROSS US. 

Stay up to date with the latest, news, articles and special offers from Griffith Review.