Songs of the underclasses

About the author

Cherry Zheng

Cherry Zheng is a writer and dancer of Cantonese heritage. Her work has appeared in Overland, Aniko Press, The Suburban Review and the British Science-Fiction...

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FictionMum did not tell us that Sabina had tried to kill herself. She said that she was unwell, and because she was unmarried and her children lived interstate Sabina would stay with us while she convalesced. We figured it out after she arrived; she did not appear sick, but lively and plump. Nor was there any regularity to her medical appointments. Though Phoebe was irritated that she would have to share her bathroom we found the situation morbidly glamorous, the sick woman with the elegant name whose stay would end with recovery or its opposite. So many sibilant words: suicide, convalescence, Sabina. Having no knowledge of death or any conviction we would ever die, suicide seemed tinged with romance. That Sabina lived confirmed our belief that death was not serious.

Home as a weapon of cultural destruction

Non-fictionIt was simply expected that Aboriginal people would accept the values and behaviour of the dominant European culture. The Welfare Board insisted that Aboriginal people not only earn an independent living but show the Board they could save money in a bank account. They had to demonstrate that they were avoiding contact with other Aboriginal people and refusing to participate in community-oriented activities, such as sharing resources with kinsfolk and travelling to visit their relatives and home Country. Over and over again, the Board’s reports criticised Aboriginal people for being among their own kind and clinging together in groups. To achieve their assimilation aims, the Welfare Board implemented a crude ‘carrot and stick’ incentive in an attempt to modify Aboriginal behaviour: if Aboriginal people could convince the Welfare Officers that they had cut themselves off entirely from their culture, family and land, they would be rewarded with an ‘Exemption Certificate’.

Steering upriver

Non-fictionAt dawn I cross the bridge, Missouri to Iowa, and turn down the gravel drive. Though I’m different now, this place is the same as it always is this time of year: the sun glowing red over the paddock next door, the grass not yet green, the maple stark. I go away, come back again, and home is like a photograph where time winds back, slows into stasis; where the carpet has changed, but the dishes have not, the cookbooks have not, the piano and artwork and bath towels have not. Here, I can be a child again, my best self, briefly. I hold on to this moment for as long as I can, because too soon I’ll remember how disobedient I am, how bossy and domineering, how I slammed my door until Dad took it off its hinges, how soap tastes in my mouth, how I pushed on these walls until they subsided.