Under the skin Everyone forgets that the real force behind the feminist movement was individual women’s disappointment with men. Even though equal... By Sophie Allan
To my future child TO MY FUTURE child: Your grandmother’s mother, my wai-po, is a pack rat. I parked in her garage twice a... By Keane Shum
On ‘Vampyre’, by Margaret Wild and Andrew Yeo PUBLISHED IN 2011, Margaret Wild’s picture book Vampyre is a hallucinatory marriage of minimal text and symbolic imagery, rendered... By Dmetri Kakmi
On ‘Don’t Call Me Ishmael’, by Michael Gerard Bauer IT’S NOT EASY having a weird name, as many teenagers with foreign or experimental parents can attest – or... By Miriam Cosic
On ‘Café Scheherazade’, by Arnold Zable In Café Scheherazade, Arnold Zable has harnessed anecdote and history – the realities of the Second World War and... By Angelo Loukakis
On ‘Nine Parts of Desire’, by Geraldine Brooks ‘THE DAILY LIFE of Muslim women.’ ‘An understanding of the women behind the veils.’ ‘A compelling insight into women... By Randa Abdel-Fattah
On ‘Just Macbeth!’, by Andy Griffiths and Terry Denton JUST MACBETH! IS Shakespeare like I’ve never read him before. It’s raucous and disgusting, immature and absurd. Kings sing... By Mark Isaacs
On ‘Faith Singer’, by Rosie Scott I’ve already lived several lifetimes and out of it all learned a few things – among them the necessity... By Georgia Blain (1964–2016)
On ‘The Harp in the South’, by Ruth Park IN OCTOBER 1945, just three months after Japan’s surrender ended Australia’s role in the Second World War, the Sydney... By Delia Falconer
On ‘Coonardoo’, by Katharine Susannah Prichard COONARDOO TAKES PLACE in 1929 at Wytaliba, a remote cattle station in the north of Western Australia. It is a... By Jacqueline Wright
On ‘Radiance’, by Louis Nowra DRAMA IS NOT about what gets said and done but what gets understood. The ostensible content of a play... By Julian Meyrick
On ‘Carry Me Down’, by MJ Hyland MARIA (MJ) HYLAND'S extraordinary second novel, Carry Me Down, was published in 2006, two years after her debut, How... By Chris Womersley