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- Published 20240806
- ISBN: 978-1-922212-98-6
- Extent: 216pp
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My body is the gallery – enjoy the exhibition!
CELEBRITY CULTURE HAS slowly eroded the negative connotations associated with tattoos. In the ’80s, punk and heavy-metal rockers used body art to cement their anti-consumer images into mainstream minds. Since the turn of the century, reality TV shows including Miami Ink and Ink Master have accelerated the normalisation of tattoos. Now, partly thanks to social media, tattoos have become another kind of commodity to show off to the world. Outside of the job stoppers (hands, neck, face), tattoos can be seen on lawyers, corporate drones and even White House staff.
But tattoos have always been more than fashion statements. They connect people to subcultures. They express commitment to particular ideals and fandoms. They’re the ultimate form of self-expression. Even a tattoo you get impulsively can make a statement. Tattoos become stories shared at social gatherings. Icebreakers to get the conversation going when you meet someone new. Gruelling, painful rituals that highlight how strong the human spirit can be. Dedications to a belief or a thought or a love that you wish to always be reminded of. Signifiers of who you are.
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Joker in the pack
IntroductionStatus itself is a little like a riddle: a code to be cracked, a hand in which you can’t see all the cards. Unless you’re Batman, however, the stakes for solving riddles tend to be comfortingly low, whereas the pressures of deciphering status can occupy a far more consequential role in our lives (it’s all fun and games until somebody loses their cultural capital).
Lifedorm
FictionThe fourth, fifth, sixth and seventh decades filled me with bitterness. I felt like the big oak tree in the centre of our play garden, stuck in the same place forever. Except even the oak tree’s life was more interesting because when it was small Parent 3 had told us to be careful not to step on it, and now it was this huge thing with ugly tree wrinkles and scars in the trunk from the branches we cut off to build a raft one summer, but I’d hardly grown at all.
High life
FictionWe’ve just finished one of the longest and hardest shifts of the year, and we are too tired to leave the building. It’s Christmas Eve, a 35-degree night, and we survived three dinner seatings while being two people down. We also all worked a double, and our staff meal was the butt ends of bread choked down with blood-temperature water while polishing cutlery. Every single person we served was tired, stressed, sick of spending money and not looking forward to seeing their in-laws. They also all wanted dressing on the side, no garlic and everything gluten free, but to also have multiple serves of the pasta of the day.
