Will we dance when it’s over?

Fortnite and the colourful end of empathy

Featured in

  • Published 20230207
  • ISBN: 978-1-922212-80-1
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

Birds, butterflies, and rats were gone.
Grass and leaves had withered.
Flowers had turned into memories.
Streets and buildings were deserted.
Everyone had gone to the moon.

Tomi Ungerer, Nonstop

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

About the author

Oliver Reeson

Oliver Reeson is an essayist and screenwriter. In 2021, they were a recipient of the Wheeler Centre’s Next Chapter Writing Scheme. Their work has...

More from this edition

Lesbian search terms

Poetry how does a lesbian love a person    can I use a rock to tenderise meat    Amazon commercial with the lesbian couple wtf    homemade real lesbian    things that usually don’t go together but end...

About face

Non-fictionOur image-centred world has elevated what writer Jia Tolentino calls ‘Instagram face’, a racially ambiguous assemblage of ethnic ‘greatest hits’ – wide cat-like eyes, big lips, smallish nose, high cheekbones. Few people will have a face that fits this template... But, whatever, you can pay for it. 

The future of art fraud

Non-fictionOver lunch with the international art auctioneer, I told him the art dealer – a mutual acquaintance – said she would ‘support’ my work at auction. She explained that if an artwork didn’t receive enough bids during an auction, she would bid to buy it for a higher amount. Then there would be a public record of my work being sold for the value assigned by her, which she would show people when reselling it privately.

Stay up to date with the latest, news, articles and special offers from Griffith Review.