From the hills of Killea

Perfecting the art of isolation

Featured in

  • Published 20250506
  • ISBN: 978-1-923213-07-4
  • Extent: 196 pp
  • Paperback, ebook, PDF

I WAS IN Brisbane to launch my first novel. I had wandered about all afternoon, neglecting my preparation for the night’s event at Avid Reader bookshop. I was walking up Grey Street in the shade, hiding from the notes in my journal, when I stopped outside the museum. There: a T-Rex, mottled green, ten metres tall, looming over the glass barrier and the sago palms. A little boy climbed up her legs, pounding her plastic thighs with his tiny hands. I took a photo of the dinosaur because it made me smile. 

I ignored the messages on my phone, those acerbic responses from my friends to a new review of my novel. Someone at Meanjin had panned the book and its ‘literary’ author. I worried everyone at Avid Reader would have seen the review before hearing me speak. I feared that I had finally been found out. The critique had saturated my thoughts, making my novel feel tired and limp; on the day of my launch, all I wanted was to forget about myself and my ‘flimsy’ book. 

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

Vestigial

FictionTHE BOY RAN past the house just as Sherwin held the clothes pegs up to the line. The sheet sprayed soapsuds on the sunken...

More from this edition

Hidden tracks

Non-fictionYoung and Kucyk are as good at tracking down hard-to-find people as they are at tracking down hard-to-find music, although sometimes they do reach dead ends. Their methods aren’t particularly advanced and are often helped by luck. Sometimes they’ll raid the White Pages. Sometimes they’ll search for relatives of musicians online. Sometimes – as in the case of another song on Someone Like Me – they’ll scour through five years’ worth of archived weekly newsletters from a Seventh Day Adventist Church in the UK and Ireland and spot a tiny article that contains the full name of a mysterious musician they’re trying to find.

Stuff

FictionMarty was my algorithm. He told me which internet plan to get. He researched the best conductive wall heater. He chose my clothes every night for the next day. He gave me a list of where I could go on my lunchbreak. Sometimes his decisions were arbitrary, or mysterious to me. But I did not care. It was, yes, like being a child again. And maybe Rachel was right; maybe there was something to that, something deep in my psyche. But all desire came from that deep, dark place of infancy. Your leather penchant is my life-coach-boyfriend-boss. None of us can take the high road here.

Culture warrior

Non-fictionIt’s safe to say, then, that Star’s protagonist is not a carbon copy of Mishima, despite the novelist’s status as Japan’s first Sūpāsutā (superstar). Twenty-three and blindingly gorgeous, Rikio Mizuno, known by the anglicised monomer Richie, is a Japanese James Dean. ‘I am a speeding car that never stops,’ Richie muses, conflating the icon with the instrument of his death. ‘I’m huge, shiny and new, coming from the other side of midnight… I ride and ride and never arrive.’ Unlike Dean, Richie survives past his twenty-fourth birthday, the addition of a single year weighing on him like a death sentence. At the story’s conclusion, when Richie is confronted by the crinkled visage of a matinee idol of yesteryear, he realises that having celebrated the twenty-fourth birthday Dean was denied by his Porsche 550 Spyder, ‘Little Bastard’, he has missed his chance to, as Dean said, ‘Live fast, die young and leave a good-looking corpse.’  Anyone who has been to a gay guy’s thirtieth birthday party will recognise the sentiment.

Stay up to date with the latest, news, articles and special offers from Griffith Review.