Featured in

- Published 20240206
- ISBN: 978-1-922212-92-4
- Extent: 204pp
- Paperback, ePub, PDF, Kindle compatible


Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author

On undoing
Non-fictionI am forty before I visit Europe, still ignorant that a century before me my great-grandfather had walked those same cobblestones. That he had fought in a war that did not reward him with any meaningful welcome on his return home. Now that I know, I yearn to go back and breathe that air, knowing that William was there.
More from this edition

Apocalypse, then?
FictionWriting took almost everything from me. Most afternoons, I’d arrive home from teaching classrooms of uninterested students, have a little Henry time, defrost a ready-to-eat supermarket meal, open a bottle of shiraz and write until midnight. Most weekends, I’d start writing once the hangover wore off, break for lunch, and then write again until dinner. It wasn’t just punishing on my physical health, it ruined my relationships, most recently with Greg, who said I’d die miserable and alone if I maintained my grim routine. And for what? The occasional acceptance from an obscure journal read by twelve other short-story writers?

Mildew on the whiteness of Hölderlin
Poetry Mildew on the whiteness of Hölderlin’s shoulders, his phantom limb reaching towards an ideal he is sure he’ll reach. When the snow comes I am not even sure...

Lines of beauty
In ConversationI studied printmaking because in the mid-’90s there wasn’t so much exciting painting happening in QCA studios, but also because I really wanted to learn new processes for my undergrad and, like most artists, I’d always painted. Painting had fallen out of fashion, and everyone was making installation, then photography and film – the new digital world reigned supreme for a decade. Now it’s all about painting.