Scarlett fever

The seven stages of Windie recovery

Featured in

  • Published 20240206
  • ISBN: 978-1-922212-92-4
  • Extent: 203pp
  • Paperback, ePub, PDF, Kindle compatible

NOVEMBER 1994. A Saturday. The weather was as you’d expect for Brisbane that time of year: that is, far too warm for 300-plus cosplaying Southern belles and their chaperones to comfortably assemble at Channel 9’s Mt Coot-tha studios. But gather we did, in polyester crinolines and oversized hats scavenged from costume-hire places all over town. Young women – blondes, redheads but mostly brunettes – flocked from north and south of the river, from Bayside and the western suburbs for their chance to be anointed ‘Queensland’s Scarlett’. Auditions started at 10 am, and by nine the coiled inner verge of Sir Samuel Griffith Drive was chockers with the cars of the hopeful.

The search for ‘Queensland’s Scarlett’ was a publicity lark cooked up by Channel 9’s Extra – a local infotainment program hosted by Rick Burnett that aired 5 pm on weekdays – The Courier-Mail and ‘classic hits’ radio station 4KQ. They were in cahoots to promote the miniseries Scarlett,the oncoming trainwreck of a sequel to Gone with the Wind (GWTW). The judges would choose five finalists. The winning Scarlett, as voted by the public, would take home $5,000. Plenty to pay the taxes on Tara and more besides. At twenty-one, it seemed my moment had finally arrived, though I had no idea I was also partaking in something of an Australian tradition. 

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

The empathy machine?

A cursory Google search soon reveals that ‘VR as the ultimate empathy machine’ – as VR filmmaker and proselytiser Chris Milk calls his 2015 TED talk – is not just a niche academic research interest, it’s a movement. And like all movements, it has its prophets and zealots. According to Milk in a 2016 TechCrunch interview, VR promises the ‘democratisation of human experience’.

More from this edition

Cinema

Poetry I cry in the cinema Or not cry So hard that my head aches with the holding back Not in the film When those beside me weep Manipulated by...

The ship, the students, the chief and the children

Non-fictionThe power of the fossil-fuel order depends on foreclosing any kind of political and institutional decisions that would see societies break free from the malignant clamp of coal, oil and gas corporations. This power also depends on eliding alternative ways of seeing. In one sense, the whole of the political struggle against climate change can be understood as an effort to make corporate and political decision-makers see, such that they are required to act.

Stay up to date with the latest, news, articles and special offers from Griffith Review.