Featured in
- Published 20240206
- ISBN: 978-1-922212-92-4
- Extent: 204pp
- Paperback, ePub, PDF, Kindle compatible

Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author
Little gifts of flowers
Almost immediately after completing a draft of my novel, I become preoccupied with a letter housed in the National Library of Australia. The 1930s correspondence between the English and American publishers of an Australian novelist concerns their decision to reject that author’s most recent manuscript – so, of course, that’s where my thoughts fixate, yesterday’s triumph already faded to mocking echo
More from this edition
Lines of beauty
In ConversationI studied printmaking because in the mid-’90s there wasn’t so much exciting painting happening in QCA studios, but also because I really wanted to learn new processes for my undergrad and, like most artists, I’d always painted. Painting had fallen out of fashion, and everyone was making installation, then photography and film – the new digital world reigned supreme for a decade. Now it’s all about painting.
Anticipating enchantment
Non-fictionWhen an editor works on a book, they balance reader expectations with what they interpret the author’s intentions to be and use their experience to make suggestions. This might mean changing some of the language to ensure the work is comprehensible for general readers, or asking for more detail where a setting has been hastily described. An editor will always be anticipating the market, and their extensive reading of contemporary works makes them well-placed not only to understand the social and political conditions of the day but also trends in publishing and marketing.
James and the Giant BLEEP
Non-fictionIt’s in this way that supposedly untranslatable words, for which our language has no exact or close synonym, are often so deeply pleasurable: not because those words reveal something about a worldview that’s unfamiliar or foreign to us but precisely the opposite.