The fall of the madmen

How advertising ate itself

Featured in

  • Published 20240206
  • ISBN: 978-1-922212-92-4
  • Extent: 204pp
  • Paperback, ePub, PDF, Kindle compatible

THE MT BUFFALO Chalet was shrouded in mist all weekend. One wag quipped it clearly had a seventy-cigarette-a-day habit. The hotel in the highlands of rural Victoria was crammed to its creaky old rafters with wags and wits that wintery weekend in 1995. It was the venue for the annual Caxton advertising awards. They were run by the newspaper industry to recognise and celebrate the best ads that had appeared in their publications that year.

Back in 1995, change, as well as cigarette smoke, was in the air. Smoking was still permitted in hotels in those days. Even in old weatherboard fire hazards. But it wasn’t mist, passive smoke or being trapped inside that so disturbed the conference. For the first time in the eighteen-year history of the Caxtons, there was a sizeable number of female delegates. Nowhere near 50 per cent, you understand, but enough to make their presence felt. They weren’t the usual overworked event organisers or the few battle-scarred older female creatives who’d learnt to match quips, drinks and fags with the blokes. They were a new crowd of ambitious younger women who had persuaded their creative directors to cough up the sizeable registration fee and invest in their career. Their presence so unsettled the blokes that there was a running ‘joke’ about lesbians for the duration of the event.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

About the author

Jane Caro

Jane Caro AM was an award-winning advertising copywriter for thirty-five years. She also taught advertising at the University of Western Sydney for seven years...

More from this edition

Always was, always will be

In ConversationIf Aboriginal people are all dead, you don’t have to negotiate a treaty with us and you certainly don’t have to go around feeling guilty about stolen land and stolen wages and stolen children; the subjects of that injustice don’t exist anymore if you choose to believe that we’re dead or all assimilated, which isn’t the case. It’s a very practical kind of assimilation strategy.

Lines of beauty

In ConversationI studied printmaking because in the mid-’90s there wasn’t so much exciting painting happening in QCA studios, but also because I really wanted to learn new processes for my undergrad and, like most artists, I’d always painted. Painting had fallen out of fashion, and everyone was making installation, then photography and film – the new digital world reigned supreme for a decade. Now it’s all about painting.

Farming futures

Non-fictionThe tempo of seasonal food production gives Mildura its seductive groove. The race is on to get food to market when prices are high and before it wilts and rots. But this race is only incidentally about food and mainly about finance. When markets fail or supply chains are disrupted, harvests are bitter. Watermelons, zucchinis and lettuces are ploughed back into the ground. Grapes are left hanging on vines, sitting in coolrooms and rotting in shipping containers grounded at ports.

Stay up to date with the latest, news, articles and special offers from Griffith Review.