The fall of the madmen

How advertising ate itself

Featured in

  • Published 20240206
  • ISBN: 978-1-922212-92-4
  • Extent: 204pp
  • Paperback, ePub, PDF, Kindle compatible

THE MT BUFFALO Chalet was shrouded in mist all weekend. One wag quipped it clearly had a seventy-cigarette-a-day habit. The hotel in the highlands of rural Victoria was crammed to its creaky old rafters with wags and wits that wintery weekend in 1995. It was the venue for the annual Caxton advertising awards. They were run by the newspaper industry to recognise and celebrate the best ads that had appeared in their publications that year.

Back in 1995, change, as well as cigarette smoke, was in the air. Smoking was still permitted in hotels in those days. Even in old weatherboard fire hazards. But it wasn’t mist, passive smoke or being trapped inside that so disturbed the conference. For the first time in the eighteen-year history of the Caxtons, there was a sizeable number of female delegates. Nowhere near 50 per cent, you understand, but enough to make their presence felt. They weren’t the usual overworked event organisers or the few battle-scarred older female creatives who’d learnt to match quips, drinks and fags with the blokes. They were a new crowd of ambitious younger women who had persuaded their creative directors to cough up the sizeable registration fee and invest in their career. Their presence so unsettled the blokes that there was a running ‘joke’ about lesbians for the duration of the event.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

About the author

Jane Caro

Jane Caro AM was an award-winning advertising copywriter for thirty-five years. She also taught advertising at the University of Western Sydney for seven years...

More from this edition

Anticipating enchantment

Non-fictionWhen an editor works on a book, they balance reader expectations with what they interpret the author’s intentions to be and use their experience to make suggestions. This might mean changing some of the language to ensure the work is comprehensible for general readers, or asking for more detail where a setting has been hastily described. An editor will always be anticipating the market, and their extensive reading of contemporary works makes them well-placed not only to understand the social and political conditions of the day but also trends in publishing and marketing. 

Things come together

Poetry After a photo by Annie Leibovitz of Johnny Cash with his grandson Joseph, Rosanne Cash and June Carter Cash, Hiltons, Virginia, 2001  It only takes...

Threshold

PoetryWhat is the voice of one who has died if no one listened to what remained unspoken? It no longer matters.

Stay up to date with the latest, news, articles and special offers from Griffith Review.