Featured in

- Published 20220127
- ISBN: 978-1-92221-65-8
- Extent: 264pp
- Paperback (234 x 153mm), eBook

Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author

The pool
Mum always says to me, you know what he’s like – your father. As if the old man is my responsibility and mine alone. Little wonder that legacy and liable have the same number of syllables. Of course I know what he’s like…so much so that I’m not even remotely surprised when one afternoon I hop off the school bus and come wandering inside with my little brother Jeremy in tow to find a big bald bloke sitting cross-legged at the dining table blabbering on about fibre glass this, solar heating that. On the table in front of Dad, a corona of shiny brochures.
‘We’re getting a pool, sons!’ Dad winks at Jeremy.
More from this edition

fifteen ways to be erased
GR OnlineNote: In this co-written piece, the sections in square brackets are by Saul Stavanger; the non-bracketed sections are by David Stavanger. ‘Our school rejects that...

Somewhere over the rainbow
GR OnlineThe sentiment of sharing the same boat is optimistic, but it glosses over the impact of inequalities in the amount of money and time spent on learning – such as those between rural and urban and between public and private schools – as well as the influence that parents’ levels of education have.

Why do you want to make things?
GR OnlineGraffiti artists are known to feel more certain about their identity after creating work; they become more receptive to other perspectives, activities and opportunities. They’re not as worried that these other behaviours will obscure their identity – an identity that is now stable and enduring