The reading revolution

How change begins with the under-fives

Featured in

  • Published 20220127
  • ISBN: 978-1-92221-65-8
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

WHEN BOB FITZGERALD, Chief Inspector of Blacktown Police Area Command, was in Year 4, he stole a book from a library in South Australia. It was Babar the Elephant and he couldn’t understand a word of it. He’d been to thirteen schools by then, and at none had he learnt to read.

That year, a teacher called Mrs Gallagher took an interest in Bob and with her help over the next few years he slowly learnt to read. ‘The first book I fell in love with was The Lord of the Rings. I read it nine times,’ he says. For a kid who had lived in twenty-seven different houses and experienced much in his life he wanted to escape from, the acquisition of literacy was life-changing. ‘It helped me get out of the cycle that I wanted to be out of,’ he says. ‘And the escapism of it…gave me an opportunity to disappear from the real world.’ Fitzgerald is now an avid reader. He’s been at Blacktown in Western Sydney for thirty-eight years and makes a point of having books everywhere at his station. Police officers keep them in cars as a way to soothe and distract children when they’re called to a domestic dispute. Fitzgerald regularly sets up bookstalls at local fairs, and there’s a book box in the station foyer that he replenishes. ‘We got a lot of people who report on bail, and most of these books go with those people,’ he says. He has a mantra: you can’t steal a book.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

About the author

Catherine Keenan

A former journalist with The Sydney Morning Herald, Catherine Keenan is the co-founder and executive director of Story Factory. In 2016 she was recognised...

More from this edition

Real fobs

FictionListen to Winnie Dunn read her short story ‘Real fobs’. ONLY BOGANS AND dumb ethnics go to Western Sydney University. Real fobs won’t even bother. But I am...

University material

FictionJEFFREY AND MY mother were together for three years. I lived with them for their final year, when I was sixteen. Before that I...

Why do you want to make things?

GR OnlineGraffiti artists are known to feel more certain about their identity after creating work; they become more receptive to other perspectives, activities and opportunities. They’re not as worried that these other behaviours will obscure their identity – an identity that is now stable and enduring

Stay up to date with the latest, news, articles and special offers from Griffith Review.