The money shot

Pornography and the performance of pleasure 

Featured in

  • Published 20230207
  • ISBN: 978-1-922212-80-1
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

Readers are advised that this essay contains sexually graphic content and descriptions of sexual violence. 

AUSTRALIAN PORN PERFORMER Monica Mayhem is naked except for her black stilettos. She is having ‘reverse cowgirl’ sex so the camera can capture a full-frontal perspective. Behind her, Steve is sitting on the edge of the spa pool staring at Mayhem’s back, a look of intense concentration on his face. His is not an easy job.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

About the author

Maree Crabbe

Maree Crabbe is an educator, writer, researcher and filmmaker and director of the violence prevention initiative, It’s time we talked. She is the author...

More from this edition

Genuine article

IntroductionThe pieces in this edition mine the social, cultural and emotional ramifications of our shifting relationship with reality: the power of deepfakes, the possibilities of AI-generated art, the changing face of cosmetic surgery, the performance of pornographic pleasure, the dangers of corporate greenwashing, the allure of conspiracy...

Run River: An exercise

PoetryLittle space in this town for dead game. Steal a teal Corvette, hit the drive-in, Find the tatty shop. They serve a fish dish.

The future of art fraud

Non-fictionOver lunch with the international art auctioneer, I told him the art dealer – a mutual acquaintance – said she would ‘support’ my work at auction. She explained that if an artwork didn’t receive enough bids during an auction, she would bid to buy it for a higher amount. Then there would be a public record of my work being sold for the value assigned by her, which she would show people when reselling it privately.

Stay up to date with the latest, news, articles and special offers from Griffith Review.