The future of art fraud

An artist’s memoir 

Featured in

  • Published 20230207
  • ISBN: 978-1-922212-80-1
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

THE ART DEALER said, blithely, ‘I understand why he did it. He needed money. He had a particular set of skills. What else would he do?’

She didn’t use the words art fraud or forgery

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

Broken

MemoirSelected for The Best Australian Essays 2013 FOR NEARLY A decade, my art has been concerned with aspects of female identity and sexuality and the...

More from this edition

Radical love

FictionPeople ask me how to manifest their greatest desires because I am clearly living the life of my dreams. I am renowned for my healing work and own a vast business empire connected to it, although this has not always been the case. Prior to my unlimited success, I dabbled in various careers but never settled on any, feeling there was more to existence if only I could grasp it.

About face

Non-fictionOur image-centred world has elevated what writer Jia Tolentino calls ‘Instagram face’, a racially ambiguous assemblage of ethnic ‘greatest hits’ – wide cat-like eyes, big lips, smallish nose, high cheekbones. Few people will have a face that fits this template... But, whatever, you can pay for it. 

Tell me a story

Non-fictionAs QAnon members circulated their vernacular and practices across social networks, their acts and ideas became increasingly visible, and individuals began to recognise the behaviour as sanctioned, expressive acts within their community. In other words, adherents of QAnon began to recognise and conform to their very own folklore – one that explained who they were and described how they should act in given situations.

Stay up to date with the latest, news, articles and special offers from Griffith Review.