Featured in

- Published 20250204
- ISBN: 978-1-923213-04-3
- Extent: 196 pp
- Paperback, ebook. PDF


Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
About the author

Cherry Zheng
Cherry Zheng is a writer and dancer of Cantonese heritage. Her work has appeared in Overland, Aniko Press, The Suburban Review and the British Science-Fiction...
More from this edition

Buy, recycle, repeat
Non-fiction THE TIP SHOP opens at 10 am every Thursday. By 9.50 am there’s a line at the gate at least ten people deep. There’s...

The blue room
FictionMum did not tell us that Sabina had tried to kill herself. She said that she was unwell, and because she was unmarried and her children lived interstate Sabina would stay with us while she convalesced. We figured it out after she arrived; she did not appear sick, but lively and plump. Nor was there any regularity to her medical appointments. Though Phoebe was irritated that she would have to share her bathroom we found the situation morbidly glamorous, the sick woman with the elegant name whose stay would end with recovery or its opposite. So many sibilant words: suicide, convalescence, Sabina. Having no knowledge of death or any conviction we would ever die, suicide seemed tinged with romance. That Sabina lived confirmed our belief that death was not serious.

Painting behind bars
In ConversationEvery time I grab a toothbrush, it makes me smile that [this all began] at Manus. I mean, this technique comes from suffering. This is not from university. I am forbidden from studying or getting a qualification here, but sometimes we can learn from suffering. I am managing to heal my trauma [with] painting. Whenever I feel sad, I paint. Whenever I feel happy, I paint. It’s like a treasure, how can I explain it? It’s invention, it’s something that hasn’t happened before. Everyone uses a toothbrush, but when I paint with a toothbrush I feel it helps me understand that my work, the marks I make, are very unique. It brings the story back. I don’t want people to forget about the story because I don’t want to escape from who I was, who I am. I would like to share the truth that this happened to me.