The network versus the hierarchy

New technology and the prophets of postcapitalism

Featured in

  • Published 20190507
  • ISBN: 9781925773620
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

‘IT IS EASIER to imagine the end of the world than to imagine the end of capitalism.’ So wrote the critical theorist Fredric Jameson in New Left Review in 2003, attributing the sentiment to an unnamed ‘someone’ whom posterity, with nothing else to go on, has decided to call Fredric Jameson. But its provenance aside, this bleak observation does capture something of the political mood in the two decades spanning the millennium. The collapse of the Soviet Union in the early 1990s and subsequent disappearance of its foundational ideas from democratic political discourse left liberal capitalism looking less like the winner in a battle between ideologies than ideology’s opposite: if not the expression of human nature itself (as many on the right were apt to claim), then at least the best that humankind could do. Francis Fukuyama came forward to say that capital-h History had reached its terminus, and everyone on the left had a good old laugh. But as Keating, Clinton, Blair and Schröder set about giving a more progressive aspect to the process of neoliberal globalisation, many socialists internalised his conclusions.

If the 2008 global financial crisis can be said to have had a positive effect (among all the calamitous ones) it is that it has upset this political fatalism. That crisis, or set of interlocking crises, functioned as a glitch in the matrix, a window through which the chaotic character of capitalism could again be glimpsed. Even in the light of the recovery (so-called), it is increasingly clear that the long-term trends are towards low growth (or ‘secular stagnation’) and rising inequality and debt. In the meantime, the spectacular rise of China has dealt a blow to the idea that capitalism and democracy necessarily advance together, while climate change science has put us on notice that the planet can only take so much ‘growth’. For some, indeed, it is now liberal capitalism, no less than communism or socialism, that seems utopian and delusional – a city built on sand, like Dubai. Contra Jameson, a number of commentators now declare the end of capitalism to be not just possible but inevitable, albeit with the rider that, at our current trajectory and rate of acceleration, the end of the world is looking pretty likely too.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

Certified flesh

Body horror is a filmic genre, inseparable from cinema and related in particular to the revolution in special effects that began in earnest in the 1960s. The emergence of the Canadian director David Cronenberg was catalytic, heralding as it did a squishy synthesis of big ideas and sweaty latex, a cinematic imaginary unlike anything hitherto labelled ‘horror’. In body horror, corporeality itself constitutes the main source of the uncanny.

More from this edition

Offshore

PoetryThe gathering with placards is, give or take, the normal size. The speech is not unlike the last but tweaked for the occasion, a five-year anniversary for which the...

When big tech met books

MemoirTHE FIRST TIME I went to the Frankfurt Book Fair in 2008, I had an appointment with Google. Its stand in Hall Eight was...

Stay up to date with the latest, news, articles and special offers from Griffith Review.