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- Published 20240206
- ISBN: 978-1-922212-92-4
- Extent: 204pp
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The museum of the future
The Museum of the Future is not a futuristic museum – a museum as it might look in, say, the twenty-second century. It is a museum devoted to the idea of the future: to the future’s past, in other words. Its exhibits are evidence of a remarkable, and peculiarly human, ability: to speculate on what tomorrow might bring.
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The sentimentalist
In ConversationI’ve positioned myself as somebody who’s constantly going through the trash of yesteryear with my raccoon paws and saying, ‘Wasn’t it grand?’ I think it’s more that I’m drawn to things I misunderstood rather than things that are just old, and I’m also interested in diagnosing the culture through what we loved, what we made and what we despised. It’s becoming much more clear to me the older I get.
Apocalypse, then?
FictionWriting took almost everything from me. Most afternoons, I’d arrive home from teaching classrooms of uninterested students, have a little Henry time, defrost a ready-to-eat supermarket meal, open a bottle of shiraz and write until midnight. Most weekends, I’d start writing once the hangover wore off, break for lunch, and then write again until dinner. It wasn’t just punishing on my physical health, it ruined my relationships, most recently with Greg, who said I’d die miserable and alone if I maintained my grim routine. And for what? The occasional acceptance from an obscure journal read by twelve other short-story writers?
Escaping the frame
In ConversationAll my work as a writer and activist over the last fifty years has comprised various attempts at what I call ‘escaping the frame of European colonisation, European story and European ways of telling story’.
