Featured in
- Published 20230207
- ISBN: 978-1-922212-80-1
- Extent: 264pp
- Paperback (234 x 153mm), eBook

Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
About the author
Jo Langdon
Jo Langdon’s writing has been published in journals including Cordite, Island, Meanjin and Overland. In 2018 she was a fellow of the Elizabeth Kostova...
More from this edition
The future of art fraud
Non-fictionOver lunch with the international art auctioneer, I told him the art dealer – a mutual acquaintance – said she would ‘support’ my work at auction. She explained that if an artwork didn’t receive enough bids during an auction, she would bid to buy it for a higher amount. Then there would be a public record of my work being sold for the value assigned by her, which she would show people when reselling it privately.
Will we dance when it’s over?
Non-fictionThe stakes in our real world have reached a point so high, so close to apocalypse, that they’ve disappeared entirely. We are gripped by a nihilism and unnerving sense of unreality, and so we don’t receive the messages others are trying to send to us.
Tell me a story
Non-fictionAs QAnon members circulated their vernacular and practices across social networks, their acts and ideas became increasingly visible, and individuals began to recognise the behaviour as sanctioned, expressive acts within their community. In other words, adherents of QAnon began to recognise and conform to their very own folklore – one that explained who they were and described how they should act in given situations.