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Welcome to GR Online, a series of short-form articles that take aim at the moving target of contemporary culture as it’s whisked along the guide rails of innovations in digital media, globalisation and late-stage capitalism.

A silhouette of a hands reaching upwards

Ghostwriting in the machine

Ask ChatGPT a few basic questions, and the responses all begin in the same way: That’s a really insightful question! That’s a deep and fascinating question! When asked if it lies to please people, it still responds with flattery: That’s a tough but important question . . . You calling that out is actually helpful. LLMs don’t challenge the ideas and beliefs shared by the humans using them. Their programming won’t let them.

Ripples travelling outwards on the surface of a lake. The sun is setting in the distance. The image evokes a sense of calm.

Grin and bear it 

Girls are taught to be quiet and competent, accommodating and pleasant, nurturing and helpful. Eldest daughters shoulder the burdens of everyone around them. From the womb to the urn, women fix and soothe; the archetype is wired by social constructs and our environment.

A neon number zero and love heart sit inside a red neon speech bubble

Hold fast to yourself

There was once some reward for effort on social media, when our carefully curated feeds allowed our curiosities to roam and discover points of cultural interest that appealed to us. On today’s platforms, the act of choosing has been ruthlessly substituted by the act of receiving.

A single book upon concrete is consumed by flames.

Why books burn

Epistemicide is the systemic annihilation and devaluation of knowledge and knowledge systems because of broader political pursuits. These pursuits are sought by a group of people whose aim is to disconnect another group from their cultural identities, histories and futures.

A protestor raises a placard into the air. It reads 'the future is female'.

Ladies who doth protest too much

TERFs speak with self-appointed authority about the mental health and wellbeing of trans women but fail to explicate reasons for their own obsession with another’s gender. The real question, then, is why are TERFs so concerned with trans women and the way they live their lives?

A silhouette of a blackbird on the thin branch of a tree

Shrapnel

On your way home, a postcard on the footpath. You pick it up. On the front is a photograph of the Goulburn Boer War Memorial (unveiled in 1904): a soldier wears a slouch hat, his arms firmly down by his sides, stuck in time.

A close up image of a brown insect's face.

All creatures great and small 

Most American adults can now identify more corporate logos than native plant species, and primary schoolchildren in the United Kingdom can name more Pokémon characters than species of British wildlife

A metal teapot sitting on a shelf in an outdoor setting

A storyteller’s journey

You produce content and people say, ‘Oh, you need to tell people about this, or the Stolen Generations, or the stolen wages.’ We’ve still got to repeat that story, which should have been told and embraced by Australia, as ugly as it is, so we can move on. So, I started telling my own stories for me and my people to remind us what a great culture we have. As human beings, we’re pretty deadly.

A concrete tombstone in a cemetery. Other graves are depicted in the background but are out of focus.

Unhappy pairings 

Arts, creative arts and humanities courses teach critical thinking, civic discourse, emotional literacy and storytelling. Most students are grappling with rent, menial work and advanced study. In a world that seeks to destroy their attention span, arts courses teach young people to read, think critically and provide historical context and sensitivity to complex issues.

A close-up image of a red-tailed eagle.

The many tragedies of Animorphs

Animorphs has been out of print for twenty years, yet its cult following remains fierce. If your knowledge of Animorphs is limited to the cover art, I’m sure that’s a bemusing claim to read. However, if you did read the books, then the unlikely endurance of Animorphs is really anything but.   

An image of Phar-Lap, taxidermic and exhibited in Melbourne.

Subject, object

The vivid hues and spiky leaves of Jason Moad’s Temple of Venus – the arresting artwork featured on the cover of Griffith Review 89: Here Be Monsters – raises a tantalisingly sinister proposition. The subject of the painting is clear – a Venus flytrap, realistically rendered – but there’s a somewhat otherworldly quality to this plant, a sense that it might be biding its time, waiting to strike while we, the viewers, are distracted by its beauty.

A large number of small red cylinders shot from above. The cylinders resemble cherry chapsticks.

Cherry chapstick

Before we railed on Katy Perry for her love of astrology, we piled on her lipstick lesbianism. Pseudo-sapphics copped a lot of shit – maybe we should shovel some of it onto the pseudo-socialists. Evidently, there were plenty of liberal cosplayers who are now back in their weekday clothes and killing it at the (government) office.

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