Featured in

- Published 20230207
- ISBN: 978-1-922212-80-1
- Extent: 264pp
- Paperback (234 x 153mm), eBook


Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author

The great divide
In ConversationIn the ’80s, and maybe the early ’90s, fashion was a political statement just like art was…and real art wasn’t about selling out or succeeding in a mainstream context; it was the opposite. The whole idea was that you didn’t want to conform. Anyone who was trying to make money off your art or helping you make money was corrupt or compromised. The last thing you did as an artist or a writer in the ’80s was self-publicise – it was so naff, it wasn’t done. Street cred was what mattered. And I’ve been watching, with social media and the internet, this 180-degree shift over the last few decades.
More from this edition

Living in kayfabe
Non-fictionOn free-dress days, I wore my sister’s dance tights to school because they made me feel like I was a real wrestler. I would’ve worn my Speedos if my mum let me. Other kids stared at me and asked ‘What are you wearing?’ and I’d tell them that this was my wrestling gear.

Run River: An exercise
PoetryLittle space in this town for dead game. Steal a teal Corvette, hit the drive-in, Find the tatty shop. They serve a fish dish.

About face
Non-fictionOur image-centred world has elevated what writer Jia Tolentino calls ‘Instagram face’, a racially ambiguous assemblage of ethnic ‘greatest hits’ – wide cat-like eyes, big lips, smallish nose, high cheekbones. Few people will have a face that fits this template... But, whatever, you can pay for it.