To the moon

A young woman's journey into the world of cryptocurrency

Featured in

  • Published 20190507
  • ISBN: 9781925773620
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

I’D LIKE TO believe that I wasn’t jumping on the bandwagon. But don’t we all tell ourselves little white lies to keep our self-worth intact?

It was November 2017. I was jolted awake by the rousing sound of a deliciously obnoxious four-stroke engine. The alarm clock sound, ‘motorcycle’, blared out of my iPhone’s speakers, an inch from my ear. I smiled sleepily to myself, my petrol-head nostalgia pleasingly sated before I’d even thrown off my doona. Opening my eyes provided a little less joy: still dark outside. The jury remained out on whether my Sudanese-born, Brisbane-raised body would ever become accustomed to the European winter’s apparent allergy to light. Sun – if any would be able to make its way through the dense layer of grey draped over London – wouldn’t make an appearance until well after 8 am. By then, though, it wouldn’t matter much: I would be deep in the throes of my daily cryptocurrency market routine.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

The keepers of history

My name holds my history. That is to say, my name carries my father’s name, his father’s name and the father before him, seven generations back. My name allows us to time-­travel several hundred years; these men kept alive through me. When I enter Sudan or Egypt, I am asked for at least the first four of these names for identification. My name places me in the context of the people I descend from, as a way to pinpoint to whom I belong.

In truth, my name holds one history. Yes, it is mine, but it is only a single, patriarchal version, rendering women invisible to such an extent that in its next iteration, I would be erased entirely. What can truly be gleaned from names shorn of context? My name is an archive that belongs to me, that defines me, but over which I have no curatorial power. I rankle at this, yet I understand this dynamic is the norm rather than an exception. The archive is a site of political struggle, whether in a name or national institution, speaking to who is remembered and who decides what is worth remembering.

More from this edition

Sortition

EssayANY DEMOCRACY WORTHY of the name must be an ongoing experiment in institutional design: there must be a willingness to adapt the ways in...

Dealer’s chance

Reportage‘IT HAS THE capacity to change everything – the way we work, the way we learn and play, even, maybe, the way we sleep or...

Stay up to date with the latest, news, articles and special offers from Griffith Review.