Painting behind bars

About the author

Mostafa Azimitabar

Mostafa Azimitabar is a human-rights activist and two-time Archibald Prize finalist. As a refugee from Kurdistan, his status as an Australian resident is yet...

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Home as a weapon of cultural destruction

Non-fictionIt was simply expected that Aboriginal people would accept the values and behaviour of the dominant European culture. The Welfare Board insisted that Aboriginal people not only earn an independent living but show the Board they could save money in a bank account. They had to demonstrate that they were avoiding contact with other Aboriginal people and refusing to participate in community-oriented activities, such as sharing resources with kinsfolk and travelling to visit their relatives and home Country. Over and over again, the Board’s reports criticised Aboriginal people for being among their own kind and clinging together in groups. To achieve their assimilation aims, the Welfare Board implemented a crude ‘carrot and stick’ incentive in an attempt to modify Aboriginal behaviour: if Aboriginal people could convince the Welfare Officers that they had cut themselves off entirely from their culture, family and land, they would be rewarded with an ‘Exemption Certificate’.

Blackheath mating rituals

Poetry Clouds ripple, sunshine splashes, a white dove tests its wings. Bella and Houdini are hanging clothes on the line of the landlord when flirtation greets them: the...

Mesopotamia

FictionTheir camp is on a floodplain, dirt baked dry for now, among a stand of black box trees. Close to the bank, river red gums tower and would provide better shade, but Kim had been worried about falling branches. From a rise near their tent, they can monitor the vast, slow drift of the watercourse, progress marked by its bobbing contents. Wordlessly, this is how they spend most of their time.