Featured in
- Published 20250204
- ISBN: 978-1-923213-04-3
- Extent: 196 pp
- Paperback, ebook. PDF

Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
About the author
Lily Holloway
Lily Holloway’s work has been published in Black Warrior Review, Sundog Lit, Ōrongohau: Best New Zealand Poems, Peach Mag and Hobart After Dark, among others. Their...
More from this edition
Interstitial
Non-fictionAmerican sociologists John and Ruth Hill Useem first coined the term ‘third culture kid’ in the 1950s to describe the experience of Americans who were raised abroad in a culture different to their birth culture. This term reflects the way children raised overseas straddle three cultures: the culture of their birth, the culture within which they are raised, and a third, nebulous culture – the culture they create through the way they learn to relate to each other. The third culture is interstitial, not an amalgam. ‘Third culture kid’ (TCK) is a term often used as shorthand. Many TCKs will have experienced more than one cultural shift too. Those with diplomatic, military or missionary families are often raised in multiple countries, and others, like me, will continue their travels overseas as adults too, exercising the global and economic mobility they know well.
Notes from a Sunshine City
GR OnlineI feel like our collective relationships with The House™ as a motif changed so much during that time; the housing crisis, lockdown and climate apocalypse were looming large all at once. Personally, I developed this kind of bizarre voyeuristic relationship with the suburbs and houses I passed on my mandated mental-health walks.
Safe as houses
IntroductionSometimes, if I can’t get to sleep, I imagine I’m back in the house where I grew up... I like to go back there in my mind’s eye, conjuring the slightly crooked hallway, the doors that never neatly fit their frames, the tiny kitchen with its overwhelmingly wheaten spectrum of 1980s browns. Like handwriting on old foolscap, the more specific details have long faded with time, but the feeling remains: that ineffable sense of calm and familiarity that I associate with being home.