Featured in
- Published 20230801
- ISBN: 978-1-922212-86-3
- Extent: 200pp
- Paperback (234 x 153mm), eBook

Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
About the author
Katerina Gibson
Katerina Gibson is a writer living in Naarm (Melbourne). Her debut collection, Women I Know (Scribner, 2022), won the 2023 Christina Stead Prize for Fiction....
More from this edition
Etc.
FictionTogether we were drawn mechanically across the road, boredom/fate reeling us in. The lawn sprawled over the grey-brick kerb. The house was painted green. Sellotaped to the windows were rows of pressed aster. The feeling of something too large to explain was heavy in the air. The door squeaked, swinging open, the main door ajar behind it, and through the gap we glimpsed a white hallway, a pile of discarded shoes on one side.
Louche
Poetry On the bleached beachof café seats, he’s drenched, hairslicked, tarnished as tinespulled up from a shipwreck, savea naughty part:silver forelock a hookswaying as he...
All work and some play
In ConversationI’m often hearing about odd jobs that musicians or performers had and how it’s tied to their identity. You read about Beat writers like Jack Kerouac and Neal Cassady, who really identified with blue-collar people and railroad workers. After Kerouac got infamous, or famous, he went off to be by himself in a cabin in the forest as a fire lookout. So he went into a very solitary existence, and I like that kind of thing...