Featured in
- Published 20210803
- ISBN: 978-1-922212-62-7
- Extent: 264pp
- Paperback (234 x 153mm), eBook
Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
About the author
Barry Charman
Barry Charman’s fiction has been published in various magazines, including Ambit, Firewords, The Ghastling and Popshot Quarterly. His poetry has appeared both online and...
More from this edition
The greatest shows on Earth
EssayAMONG THE MEMENTOS (boardgames, guidebooks, banners, souvenir plates) on display at the permanent World’s Fair exhibition at the Queens Museum in New York, there’s...
No limits
ReportageI am eleven years old. My brother Ben (three years and three days younger) has already been a registered player for four seasons at our local club, Albany Creek Excelsior (ACE). Every day we match each other in the backyard. I attend his games jealously, playing around with a ball on the sideline and, yes, maybe showboating my juggling a little bit at half-time in the hope someone will notice me and insist I should be placed in a team.
Musique concrète
InterviewThe original brutalism is the projection, in concrete, of strong social ideals. It’s also the architectural sedimentation of a given period: the hopeful ’50s up to the ’70s. But to me more personally, it’s a totally alien form of architecture: in my hometown, most of the buildings are small and made of wood. So raw concrete, sign me up! I was hooked very early on: I remember very fondly some of the brutalist buildings in Halifax, Nova Scotia, from my travels in Canada as a kid.
