Featured in

  • Published 20230502
  • ISBN: 978-1-922212-83-2
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

Here are some other stories. I made my home at the outskirts of the temple complex, out of the way of the priests, but sitting where pilgrims could see me as they approached, a tin cup to catch coins, my body a warning and a promise. Or, I appeared unremarkable at my birth, until my bones began to grow in an impetuous fashion, torso clenching into a fist, pressing my heart and lungs into a space too small. Or, I survived, but in a remote cave, smudged with a mystical bitterness, visited by other outcasts, whose hands reached out to touch my hunched back for prophecy or consolation. Or maybe I was never born, the prenatal test results causing a look of concern on the doctor’s face which my mother couldn’t resist falling into. I have to tell you these things that never happened – or what happened to others like me, and will happen again – before I can think of what did. For too long, I have felt alone in this body. The past, an inaccessible crypt. The future, a mirage.

There are many ways to carry a story. My father smothered his stories with bravado. Here he is, laughing at the sea drenching him on the deck. There he is, shoving money at the doctor to cure his dying mother. Another time, his chest deflated when the nurse reached for the pink blanket. His survival was never one step at a time. It was the leap, the stumble, the fall. Another form of inheritance. When my home was a hospital for too many nights, he left the visits to mother. I felt her walk the corridor towards me. She said, you know your father. I knew him. His struggle to tell another story of scarred shame.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

More from this edition

Fitzroy River flood. Indigenous storytelling and climate change

A Martuwarra Serpent stirs in its sleep…

Non-fictionAboriginal people are usually confident in the enduring nature of knowledge (not just belief) because that other mob down the road has the same story, or a similar one. It is a multispecies and layered story, and that is precisely what makes it creative, unlike so much of continuing Western materialist ideas and practices.

On undoing

Non-fictionI am forty before I visit Europe, still ignorant that a century before me my great-grandfather had walked those same cobblestones. That he had fought in a war that did not reward him with any meaningful welcome on his return home. Now that I know, I yearn to go back and breathe that air, knowing that William was there.

Everybody loves beginnings

Non-fictionBeginnings are a breaking of silence that give some indication as to why the silence ought to have been broken, and the prospects of such a breaking. Why should I have broken my silence and begun this discourse? And why should the difficulties of breaking this silence, difficulties that for some reason I must enact in order to ameliorate, appear so manifestly predictable to me?

Stay up to date with the latest, news, articles and special offers from Griffith Review.