Stories to live by OVER the past few years the body politic in Australia has had an exceptionally high temperature. If it were... By Julianne Schultz
Interview with Chris Womersley Having read your online bio, I have to ask: do you really have trained monkeys? How much do you... By Julie Green
Interview with Favel Parrett Your story 'No Man is an Island' is strikingly short – in fact, it's the shortest story in The... By Julie Green
Interview with Amy Espeseth You immigrated to Australia in the late 1990's from rural Wisconsin. Your story in Griffith REVIEW 34: The Annual... By Julie Green
Interview with Craig Cliff You've travelled quite a bit – you seem to be an adventurer of the world, but also an explorer... By Julie Green
Interview with Nicolas Low In addition to being a writer, you're an installation artist, among other things. Do you think writing and art... By Julie Green
Interview with Romy Ash As we're conducting this interview via email, could describe your current environment?I am writing in my studio, which is... By Julie Green
Interview with Rachael S Morgan This year you won the Josephine Ulrick Prize for literature with your story 'Tryst' – a vivid tale about... By Julie Green
Interview with Mara Bún Was there a reason you looked to Greensburg and New Orleans as post-disaster case studies for your piece above... By Alecia Wood
Interview with Tom Bamforth How long had you been working in Pakistan before the 2005 earthquake struck?Six months. I was there beforehand, during... By Alecia Wood
Interview with Sally Neighbour Is this the first piece you've done for the Griffith REVIEW?Yes, I've been principally writing for newspapers for the... By Alecia Wood
Interview with Lloyd Jones Your poem offers an honest, sensory recreation of the Christchurch earthquake. Were you in the city when it struck?I... By Alecia Wood