Mud reckoning

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  • Published 20220428
  • ISBN: 978-1-922212-71-9
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

THERE IS NO such thing as bad Country; there just happens to be bad custodians. And marsh is a natural feature in accordance with time; encroaching damp from a swamp pays no heed to a progressive twenty-first century and the equity of development.

Early colonists sent to survey the wetlands along the southern banks of the river had remarked how the fallen trees on the crest lines reminded them of abandoned guns. Hence the placename given: ‘Cannon Hill’. Only men from military backgrounds would deem the metaphor appropriate during occupation of such a fertile pocket.

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In ConversationQuestioning the past is a vital part of my role as an artist. Art has the influence to shape the way we think and perceive the world, as it has throughout history. I’m motivated by the desire to improve and do better, and the same goes for how I want my art career to proceed. The need to do better in the future is predicated on the fact that to do so, we need to revisit and interrogate the past. This is especially important in a country such as Australia, founded on colonial violence and with a legacy of racism that persists today.

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