how to launch a poem

About the author

Grace Yee

Grace Yee’s collection Chinese Fish won the Victorian Prize for Literature, the Victorian Premier’s Literary Award for Poetry, and the Mary and Peter Biggs...

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Non-fictionBeneath my fantasy of a regular wage is the puerile hunch that if I stay in academia, I can regain some of the nervy possibility I held as an undergraduate student. It was at university that I first met people whose days were preoccupied with thinking, reading and writing, revelatory mostly because they were compensated for these activities with bourgeois trappings and validation. With hindsight, I can recognise that my straining so doggedly to become the kind of person who succeeded according to the university’s metrics mainly taught me what bell hooks says is the primary lesson of college – namely, ‘obedience to authority’.

the road of ghosts

FictionGraeme works with me almost every day of each school holidays. He conducts sessions that stretch from an hour into two. He teaches me how to shoot; he splinters my form down into nothing and then restructures it until it is exact. Fingertips: the ball slides through the air into the ring. He shuffles after each rebound, his returning pass precise. Graeme pours himself into me. He is patient. He is generous. He is firm, like a grandfather.

The Gordon cult

Non-fictionFrom a modern perspective Gordon makes an odd choice for a national poet, since he wrote only rarely about the country that embraced him. He set many of his popular verses in England and studded the others with the classical references familiar to an English gentleman. Yet before the passage of the 1931 Statute of Westminster – or, more exactly, until similar laws passed through the Australian Parliament in 1942 – Britain retained the legal right to determine foreign relations for the Australian Commonwealth. Accordingly, prior, during and for some time after the Great War, respectable Australian nationalism generally manifested as Empire patriotism.