Self-portrait in Joy Hester pocket mirror

Featured in

  • Published 20230207
  • ISBN: 978-1-922212-80-1
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

All hail my inner bones, things have been troped

yet now heat up. Being Bowie gone to Berlin,

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

About the author

Melinda Bufton

Melinda Bufton is the author of Moxie (2020), winner of the Helen Anne Bell Poetry Bequest Award 2019.

More from this edition

A passing phase

In ConversationI went to Tim’s Guitars years ago and I saw Grant Hart from Hüsker Dü do a solo thing and he had a Q&A after the solo. And some guy went, ‘How often do you practise guitar?’ And then Grant Hart said, ‘I never practise guitar, practising guitar gets in the way of my personality.’ And I was like, ‘Oh wow, that’s actually really true.’

Cusp

FictionWe were going to visit Patience’s supervisor Callista, a tenured senior lecturer in literature and cultural studies, though her strange, ageless grace made the word senior feel like a misnomer. I knew Patience would have chided me for this, saying it showed both my ageism and internalised misogyny, so these were among the thoughts I kept to myself.

Art, AI and figuring the future

Non-fictionThere is an eeriness in the anonymous way DALL-E and Midjourney create art... The artist is nowhere and everywhere, like a ghost inside the machine. We see the rendering of images, but nothing that makes the design process more relatable. 

Stay up to date with the latest, news, articles and special offers from Griffith Review.